Mixed Media Fun

Hey friends! Today I'm popping in with a little card I made just for fun yesterday. I wanted to get a little messy, so pulled out some watercolor markers, molding paste, and had a bit of fun.

I started out with the Spring Collage Tag, stamping in Acorn Versafine Ink and then watercoloring with Kuretake Clean Color Real Brush Markers. I've kind of been on a watercolor kick lately.  I hand cut the tag when I was finished coloring, then inked the edges with gathered twigs and added some twill and twine to the topper, fraying the ends of the twill.

The layer behind this started smooshed on watercolor from my pick up sheet. Next I added a bit of random light stamping with white ink and brown ink and the Script Background. I then added some light molding paste through a scrap of punchinella. Once it dried I pulled out some broken china, peacock feathers, salvaged patina, and vintage photo distress spray stains and dripped them down, and misted over the panel.  I then inked the edges with gathered twigs distress ink.

The back panel is embossed with the Vintage Script embossing folder and then I lightly rubbed a white ink pad over the top to highlight the embossing. Next, I layered up my pieces and glued a thin piece of twill across the edge.

The hugs & prayers is from the Tag & More die set, and I cut the pieces with the Spring Collage Tag Die,  set, adding a couple of teeny tiny brads to each hole on the label.  I finished things off with a little glossy glaze and an enamel dot for the flower center.

Thanks so much for stopping by today! I hope you have a fabulously creative day!

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Contrast in Cardmaking

Have you ever finished a card, set it back on your desk to admire, and felt completely underwhelmed? There is nothing fundamentally wrong with the card. You love the papers, the image, and the layout.  Yet, the whole design feels flat, like it is missing that signature spark.

That exact feeling struck me while working in my studio the other day. I created a card using the gorgeous Vintage Autumn paper pad and a sweet ephemera piece of a girl holding an umbrella. The components were beautiful on their own, but once assembled with some orange matting, the card just did not sing. The vibrant orange tones blended straight into the background, leaving the focal image floating without a clear place for the eye to land. I thought about what could improve the card, and came up with contrast.

You can watch how I fixed the low contrast problem over on the Not 2 Shabby Channel.

Contrast is the secret sauce of papercrafting. It creates clear visual boundaries, guides the viewer’s eye directly to your focal point, and prevents busy patterned papers from swallowing up your design. To fix my underwhelming card, I decided to test two fundamental types of contrast using the exact same card sketch.

First, I explored temperature and color contrast by playing cool tones against warm ones. On the color wheel, orange sits directly across from blue, making them natural opposites that create high-impact harmony. I swapped the matching orange mat for a crisp, cool turquoise. The cool undertones immediately pushed the warm orange to the forefront, making the entire focal cluster look bright, playful, and instantly energetic.

Next, I tested value contrast by pairing light and dark elements. I looked for a deep neutral and settled on a rich, dark espresso brown. Placing a dark frame directly behind the lighter, detailed focal panel gave the eyes a much-needed resting space. The dark brown grounded the earthy fall tones and made every delicate edge of the paper layers jump right off the card base.

It's amazing how a simple shift in matting can completely transform a project from washed-out to show-stopping. The next time a card feels a little bland, do not scrap it—just look at your mats!

Which contrast style speaks to your heart more—the vibrant energy of cool turquoise or the grounded warmth of dark espresso? Let me know in the comments below!

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